Sony A5100 review

Sony has very short life cycle for many of its products lately. We’ve seen four flagship Xperia Z phones during two year period and digital cameras multiply like rabbits. This is especially the case with NEX cameras… Sorry, they are called ILCE now. :) Whatever the name I’ll always regard them as NEX, after all, I’ve owned one for three years and made great shots with it. Anyway, the latest newcomer is the A5100. I’ve reviewed A5000 earlier this year: it was announced in January and now in September came the new A5100. Main differences include resolution bump to 24 megapixels, more focus points, higher resolution LCD, faster burst rate and better video. Continue reading to find out if it is of any significance or Sony just makes cameras for the sake of new cameras.

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Top lenses for Sony NEX cameras

Due to popularity of my guide for micro 4/3 lenses, I’ve decided make a similar guide for Sony NEX users. This is a list of what I believe are the best lens choices for Sony NEX mirrorless system and is based mostly on my personal experience. Lenses that I reccomend in this article are the ones I allready own or the ones I would buy for my personal use without hesitation.

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Meditate on 16-50 I will; an update to Sony E PZ 16-50mm lens review

In a rush to publish the Sony E PZ 16-50mm f/3.5-5.6 OSS review, I omited to mention some important details which are in my opinion actually critical to have in mind if you are considering to purchase this lens. Also an obvious error occurred and I feel I must adjust my conclusions accordingly. This in an update post to the original review with some further elaboration of 16-50′s performance, and why I strongly suggested older NEX body users to stay away from it.

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Sony E PZ 16-50 f/3.5-5.6 OSS E-mount lens review

Sony E PZ 16-50mm f/3.5-5.6 OSS lens is a welcomed addition to E-mount lens lineup. It’s a lens most NEX users wanted from beginning – a small collapsible zoom. It is exactly half as big as Sony E 18-55 f/3.5-5.6 OSS lens, has the same aperture range, optical stabilization, but a bit wider angle (24mm vs. 27mm in 35mm equivalent).

SEL16-50 is a good example of tradeoffs; at this price point, being collapsible and covering APS-C sensor, some part of its performance must be below average. And really, as soon as it hit shelves a week or two ago, internet community started complaint threads on 16-50′s performance. You surely know how it looks like; endless trolling, (usually) without samples to back-up stated points and a lot of confusion amongst potential buyers. That’s why I rushed to get it reviewed and clear a situation at least a little bit. So let’s begin with SEL1650 review.

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