I’ve just published my detailed review of Panasonic LX15 (LX10 for north america) on Youtube. LX15 is one of those 1″ sensor type compacts – promising (and delivering) higer than expected image and video quality from such a tiny camera body. If you want to skip all the talk, I will list only my final Pro’s and Con’s list here as well as full resolution samples for download and links for review and video samples.
Panasonic 12-60mm F/2.8-4 OIS is the premium grade micro four thirds lens. At around $1000 it is not exactly affordable but promises (and delivers!) high image and build quality together with weather sealing and optical stabilization. It is also rather light at only 320g what is impressive considering Olympus had a lens of identical focal range and aperture at 575g back in the days when they produced DSLR cameras. Anyway, you can see my entire review on YouTube and just below there are crops at various focal legths and aperurtures to judge sharpness.
I got to try the brand new Panasonic GH5 – a mirrorless camera that doesn’t hide it’s created for video users in mind. At the time of release it is one of only two “photo” cameras that can record 4k at 60fps (the other one being Canon EOS 1DX Mark II at around three times higher price point). Still, it is also supposed to appeal to photographers with its 20 megapixel stabilized sensor, 9fps burst with AF, proper DSLR- like ergonomics and battery life higher than other mirrorless cameras. Anyway, find out what I think about it in the next videos.
At the beginning of January, I was among the first journalists to bring you quick preview of the new Panasonic Lumix DMC-TZ100. The camera looked very promising and finally I got a production sample for a week to play with. I was very anxious to check if the camera lived to its expectations and to find out if this might be the best travel camera of 2016.
Panasonic GX8 is the latest and beside GH4 the most advanced Panasonic mirrorless to date. With the current price of around 1200 USD without the lens it is not what one might call affordable, but in return offers a rather unique set of features some of which are not found anywhere else. It is still the only camera with tilting electronic viewfinder what turned out be a great feature I used all the time. Build qulity is superb and includes weather sealed magnesium body with a wide range of manual controls most of which are fully customizable. Fully articulated LCD has touch control and uses OLED technology just like EVF. GX8 offer 4k video straigh out of the camera as well as full range of manual video controls. A detail that might be most interesting is the fact it has on sensor stabilization which can work together with in lens stabilization. If you allready have Olympus micro 4/3 lenses (which are not stabilized – Olympus uses only on-sensor stabilization) or a huge set of old manual legacy lenses, GX8 can stabilize all of them. The camera is extremely fast in operation – both in terms of auto focus and overall response and can operate in full silent mode – essential for street photography. Anyway, take a look at my detailed video review:
And click continue reading to see some image samples:
Panasonic Lumix DMC-FZ300 is the latest pretender for ultra zoom throne. While not having insane optical zoom range – only 24x when competitors have 50x-83x, it makes it up with other specifications most of which are way above those found in competing cameras like Nikon P900, Canon SX60HS or Sony HX400. Panasonic FZ300 is the only one with constant F/2.8 aperture through the entire zoom range, 4K video recording and weather sealed body. It also offers RAW file format, articulated touch LCD and OLED electronic viewfinder, 1/16000 shutter speed, 12fps burst mode, 4k photo mode (30fps in 8MP resolution), microphone input, full manual controls both for video and photo, built-in flash with wireless flash control, hot-shoe and most advanced control configuration options in the class.
Well, there’s no point keeping you in suspense; for me this is the best ultra zoom ever made. It has more options and better image and video results than any other similar camera. Yes, it is the most expensive one and 24x does not sound as much, but in reality it is enough for all typical usage scenarious. Take a look at my (longest yet) video review.
Panasonic Lumix DMC-TZ60 (ZS40 in North America) is what I like to call compact ultra-zoom. Inside its thin body there is a 30x optical zoom (24-720mm) and 18 megapixel sensor. Besides a 3-inch LCD, TZ60 has an electronic viewfinder what is still a rare detail in this camera category. You can use it in full automatic exposure mode, but it still offers complete manual controls, RAW file format and 1080/60p video mode. Built-in GPS will appeal to travelers as is the case with Wi-Fi connectivity.
Please allow me a spoiler from the very start. Every few months I get a camera for a review which I would rather not return afterwards and Panasonic GH4 is one of those. If you owned at least several cameras, you probably know the feeling when you take new camera for the first time and simply fall in love with it from the very start. That’s how I felt about the GH4. Pretty much everything on GH4 feels and works just the way I like. GH4′s key features include 16 megapixel sensor, 4K video recording, 2.36 million dot electronic viewfinder and 12 fps burst rate inside a light weather sealed magnesium alloy body.
What now seems a really long time ago (~ 10 years) there was a type of digital cameras called “prosumer”. Models like Canon Pro1, Olympus C8080 or Sony F828 were typical representatives of this category. These were relatively big and expensive cameras packed with advanced features, excellent optics and above average image quality. But still all of them used really small 1/2.3 image sensors what was responsible for not-that-great image quality compared to DSLR cameras with APS-C sensors. As soon as affordable DSLR cameras ($1000 or less) appeared, prosumer cameras silently disappeared from the market. After all, who would want to buy a big camera with the small sensor when there are far better DSLR options for the same or even lower price?
Times change and Smartphone cameras gradually became better and better. For most people, image quality delivered by 8 megapixel Smartphone is more than enough and the whole digital cameras market rapidly decreased. Camera manufacturers found themselves in a problem; nobody was buying compacts anymore and they finally realized there is still a small but constant demand for prosumer cameras: the ones that deliver high image quality but can’t exchange lenses. A lot of amateurs are afraid of interchangeable lens cameras since they feel obligated to buy more and more gear they do not understand or want.
True prosumer revival started last year with the Sony DSC-RX10. But this time, small 1/2.3 sensor would not suffice and Sony used large 1″ (13.2 x 8.8 mm) sensor with 20 megapixels. Image quality delivered by this camera was comparable to DSLR for many amateur users and there was only one lens with perfect focal range (24-200) and constant aperture of F/2.8. RX10 can work in full AUTO mode, or you can take control over numerous advanced features. RX10 was an instant hit and was only the question of time someone would produce something similar or even better.
So now we have the Panasonic Lumix DMC-FZ1000. It uses the same 1″ 20 megapixels sensor, has even more optical zoom: 25-400mm F/2.8-4, 4K video and all the bells and whistles you can pack in a digital cameras these days. And oh yes; it is cheaper from the start so Sony had to reduce RX10 price to around $1000 to make them both cost around the same.
So if you are wondering is there a particular reason why I wrote the longest intro to a review on my blog… yes there is. FZ1000 deserves it since this is one of the best products this year. I’ve gone into details about FZ1000 on the next pages and even if you have no interest in reading all of it, skip to page 4 to see direct comparison and image samples from both FZ1000 and RX10.
Lumix DMC-GM1 is the smallest mirrorless camera on the market, especially when used with collapsible 12-32mm kit lens or with Panasonic and Olympus pancake prime lenses. Despite that, it is a full featured interchangeable lens camera stuffed with loads of features and some of them are really unique like 1/16000 shutter speed, completely silent operation, time-lapse and stop-motion video and many more. It uses micro 4/3 lens mount what means it accept around 40 lenses from Panasonic and Olympus with full auto-focus support.